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The old traditions of dance and drama are being preserved in the many dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization.

Jane Callista - Sajojo Lagu Daerah Papua. In its tradition, Indonesian dances can be divided into two types traditional dance and contemporary dance.Manuk Dadali & Sajojo - Jane Callista (lagu anak Indonesia) by GNP Music Download. According to its patrons, it can be divided into two genres court dance and folk dance. In the historical aspect it can be divided into three eras the prehistoric-tribal era, the Hindu-Buddhist era, and the era of Islam. Judul lagu daerah dan daerah asalnya adalah antara lain Soleram dari Riau Injit-injit Semut dari Jambi Anak Tupai dari Lampung Mak Inang dari Sumatera Barat Kicir-kicir dari Jakarta Tong Sarakah dari Banten Bubuy Bulan dari Jawa Barat Gundul Gundul Pacul dari Jawa Tengah Suwe Ora Jamu dari Jawa.For classification purposes, the dances of Indonesia can be divided according to several aspects.

PlayIn Bali on 19 November 2011 UNESCO announced the traditional Saman dance from Aceh province as a world Intangible Cultural Heritage. 2019-07-09 04:1019,626,950. Play Stop Download Vita Alvia - SAJOJO ( Official Music Video ). Tarian Daerah Provinsi Bali 1.Sajojo - lagu daerah asal Papua. Berikut ini beberapa contoh nama-nama tari Tradisional di seluruh Indonesia. Tari Tradisional di Nusantara.

Others are inspired by nature, such as the Tari Merak (Peafowl dance) of West Java. War dances such as cakalele of Maluku and kabasaran dance of Minahasa, North Sulawesi. Such dances are usually based on rituals, like the war dances, the dance of witch doctors, and dance to call for rain or any agricultural related rituals such as Hudoq dance ritual of Dayak people. Kabasaran dance, Minahasa North Sulawesi.Dances in Indonesia are believed by many scholars to have had their beginning in rituals and religious worship. On 2 December 2015 UNESCO also announced Three Genres traditional Balinese dances from Bali province as a world Intangible Cultural Heritage.

The dance of kuda lumping and keris dance also involve trance.Lakshmana, Rama and Shinta in Ramayana ballet at Prambanan, Java.With the advent of Dharmic religions in Indonesia, Hinduism and Buddhism were celebrated in ritual and in art. Tari Sanghyang Dedari is a special dance of Bali, in which the dancers are pre-pubescent girls in trance, chasing away bad spirits. Some of the tribal dances involving trance mental condition which interpreted as channeling the spirits through the dancer's body movements. The dancing also is meant to let the human's inner spirit come out, and also to calm or appease the spirits.

However, the dances are distinct to those of Indian. The Javanese wayang wong dance-drama took stories from the episodes of Ramayana or Mahabharata Hindu epic. The Javanese Ramayana dance-drama is regularly staged and performed in 9th century Prambanan temple compound, Yogyakarta while its Balinese counterpart is also performed in various Balinese temples throughout the island. Highly stylized methods of dances were developed and are still obvious nowadays, especially in the islands of Java and Bali. They incorporated stories of the Ramayana, Mahabharata and also Panji cycles into dance-drama, which is called sendratari (dance-drama) or sometimes simply translated as 'ballet', such as Ramayana Ballet of Java and Bali. Etchings of the story can be found on temples dating back to the 10th century CE, and has since then played a recurring role in ancient Javanese literature as well as wayang shows.

It is believed to have its root in 14th century Majapahit court or probably earlier, which originated as ritual dance performed by virgins to worship Indic deities such as Shiva, Brahma, and Vishnu.In Bali, dances has become the integral part of Hindu Balinese rituals. The Javanese sacred ritual dance of Bedhaya has very gentle and elegant moves. Javanese court dances stressed on graceful and slow movements while the dances of Balinese court are more dynamic and very expressive.

The topeng dance also popular in Java and Bali, it often took story from Panji tales, originated from 12th century Kediri kingdom. Each Balinese dances have special functions, from sacred ritual dances performed only in Balinese temples such as sacred sanghyang dedari and Barong dance that involved trance, dance drama that retold the legends and popular stories such as legong and kecak, to the dance for welcoming guests such as pendet or social youth dance such as joged. Certain sacred dances are reserved and only performed during certain religious ceremony. These represent a remarkable unbroken continuity of form at least 600 years old. Friezes on East Javanese temples built during the 14th century show headdresses almost identical to those still being used for dances in Bali today.

This change is obvious in Tari Persembahan from Jambi. Artists and performers would still use the styles of the previous eras, making changes in stories (which took an Islamic turn) and clothing (which became more modest in respect of Islamic teachings). The Islamic Era Even as the new religion of Islam gradually penetrated the region, the native and dharmic dances continued to be popular. The Panji tales, telling the romance between Prince Panji Inu of the ancient Javanese kingdom of Jenggala with Princess Galuh Chandra Kirana of the neighboring kingdom of Kediri, continues to be a source of inspiration in both Javanese and Balinese dance traditions.

Javanese stratified social class is reflected in its culture, where the upper noble class are more concentrated and deeply concern with refinement, spiritual and sophistication while the commoners are usually more interested in entertainment and social value of the dance. The obvious difference between courtly dance and common folk dance traditions is the most evident in Javanese dance. Several royal houses the istanas and keratons still survived in some parts of Indonesia and become the haven of cultural conservation. The adoption of Persian and Arab musical instruments, such as rebana, tambur, and gendang drums that has become the main instrument in Islamic dances, as well as chant that often quotes Islamic chants.Known contemporary dancers from Indonesia was Bagong Kussudiardja, which invented contemporary dance form inspired by the Javanese classical dance.Patrons The court dances Golek Ayun-ayun, a Javanese court dance of YogyakartaThe dances in Indonesia reflects its diverse and long history.

The palace court traditions also evident in Balinese and Malay court which usually— just like Java—imposed refinement and prestige. The mission is to not only produce new royal dancers but also, more importantly, to preserve ancient royal dance. For example, the Suryo Sumirat dance school of Mangkunegaran court, opened its doors to public and foreign students eager to learn the royal Javanese dance. For example, the Sultans of Yogyakarta Sultanate and Sunans of Surakarta, also nobles of Pakualaman and Mangkunegaran are known to create various Javanese court dances completed with gamelan composition to accompanied the dance.

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The commoners folk dance is more concerned with social function and entertainment value than rituals.The Javanese Ronggeng and Sundanese Jaipongan is the fine example of this common folk dance traditions. Indonesian folk dances are often relatively free from strict rules nor disciplines, although certain style of gestures, poses and movements are still preserved. According to its patron, the folk dances were developed and fostered by common people, either in the villages or in the cities, in contrast of court dance that is developed through royal patronage. The Palembang dance of Gending Sriwijaya for example, still demonstrating the Hindu-Buddhist elements of gilded ornaments, but compared to its Javanese counterpart, it is rendered in more covered and modest costume of Aesan Gede.Jaipongan Mojang Priangan, Sundanese traditional folk danceThe dance in Indonesia demonstrate the social complexity and the social stratifications of its people, it often reflect the social class and also degree of refinement.